“文革”时期中国手风琴艺术发展特点

毕业论文

［提要］文革10年间的音乐，在中国音乐史上是比较特殊的1段，林彪、江青等人将艺术，音乐作为政治统治的工具，不少艺术形式受到严重影响。但手风琴凭借它乐器本身热情有力、音色多样、携带方便的优越性在这个特殊的阶段以其符合社会主义文艺发展需要而有所发展。

分析文革时期手风琴艺术在中国的发展状况，不仅有利于了解手风琴在中国的发展史，有利于现代手风琴事业的发展，更有利于我们全面正确地了解历史，总结文革时期音乐领域的历史教训，有利于现代中国音乐的健康发展。

［关键词］ 文化大革命 手风琴 发展 伴奏 改编

Synopsis:Decennial music of Cultural Revolution, is more special on the Chinese music history, LIN BIAO,JIANG QING to wait for someone to be art, music the tool of the political governance, not a few art forms are under the influence of severity.But accordion with borrow its musical instrument enthusiasm emollient, the tone color is diverse and takes the convenient and superior to match the socialism literature development to need but have the development with it at this special stage.

The analytical Cultural Revolution period accordion art development condition in China, not only be advantageous to the understanding accordion development history in China, be advantageous to the development of the modern accordion business, but also be advantageous to us to understand the history with accuracy completely, the summary Cultural Revolution history of the period music realm teach, being advantageous to healthy development of modern and Chinese music.

Keywords： Cultural Revolution Accordion Development Accompany Reorganize